Low Oxygen Display Case

Low Oxygen Display Case

Preserving Community Cultural Expressions with: Low-Oxygen Display Systems

Why Preservation Matters?

  • They represent living traditions, beliefs, and identities
  • Materials like cotton, silk, wood, palm leaf are fragile
  • Vulnerable to oxygen, humidity, insects, and fungi
  • Conservation must balance science and cultural meaning

The Conservation Challenge & Gaps

  • Many Indian museums lack stable climate control
  • Traditional methods like silica gel and AC are temporary fixes
  • Fumigation and chemicals are now avoided for safety reasons
  • Microbial growth and pests remain major threats
  • Infrastructure and funding gaps persist

How Low - Oxygen Systems Work

  • Oxygen reduced below 1%, replaced with nitrogen gas
  • Inert, non-toxic, and reversible system
  • Stops insects, mould, and oxidation naturally
  • Airtight cases with humidity and O¢ sensors
  • Long-term stable microclimate with minimal energy use

Global Case Studies

  • British Museum: Encapsulation Project for fragile artefacts
  • Musée du Quai Branly, Paris: Nitrogen-sealed ethnographic cases
  • National Museum of Denmark: Long-term oxygen-free vitrines
  • Japan's National Institute for Cultural Properties: Nitrogen preservation
  • India: Hyderabad State Museum's mummy in nitrogen case

Conclusion

  • Nitrogen systems = technical + ethical innovation
  • Reduces decay and maintenance costs
  • Sustainable, chemical-free conservation
  • Pilot installations and training needed in India
  • Collaboration with artisans and communities
  • Protects both matter and meaning

References

  • Bradley, S. (2005). Preventive Conservation Research and Practice at the British Museum. Journal of the American Institute for Conservation, 44(3), 1593173.
  • Maekawa, S., & Elert, K. (2002). The Use of Oxygen-Free Environments in the Control of Museum Insect Pests. Los Angeles: Getty Conservation Institute.
  • Querner, P. (2015). Insect Pests and Integrated Pest Management in Museums, Libraries and Historic Buildings. Insects, 6(2), 5953607.
  • Valentin, N. (1991). Controlled Atmosphere for Insect Eradication in Library and Museum Collections (Report No. 700). Smithsonian Institution.
  • Smith, L. (2006). Uses of Heritage. London & New York: Routledge.
  • McCarthy, C. (2018). Museums and Mori: Heritage Professionals, Indigenous Collections, Current Practice. New York: Routledge.
  • UNESCO. (2003). Convention for the Safeguarding of the Intangible Cultural Heritage. Paris: UNESCO.
  • International Council of Museums (ICOM). (2017). ICOM Code of Ethics for Museums. Paris: ICOM

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